Giallo Giallo is part of the Ennio Morricone Themes series, a unique collection of the greatest scores ‘The Maestro’ has composed for movies over the past 70 years, divided into different themes.
Starting 70 years ago as an arranger for the piece Mamma Bianca, Ennio Morricone is the emperor of scores and soundtracks. Morricone has always been a huge influence for the likes of Hans Zimmer, Danger Mouse, Muse, Metallica, and many more musicians. He was one of the most successful composers of all time, selling over 70 million records and winning dozens of awards.
When we think of 1960’s Italian pulp cinema, the Spaghetti Western is the genre that comes to mind. However, Italy was responsible for another classic cinematic exploitation movement around the same time, one that is equally as compelling but less widely recognized. Giallo, meaning ‘yellow’, is the Italian term for crime fiction, named after the bright yellow colors of early pulp fiction paperbacks. Film audiences adopted it as the name for a peculiarly Italian sub-genre of thriller cinema that had its heyday in the 1970s – just as the Spaghetti Western movement was waning. The Giallo can be difficult to define, but essentially, it is an Italian crime film that draws from a pool of common themes: stylized murders, amateur sleuths, sleazy glamour, psychological crimes, enigmatic titles, and all these themes
